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Princeton University has a long history of commissioning public art by the likes of Henry Moore, Louise Nevelson, Alexander Calder and Pablo Picasso, dating back to the 1960s. And when the Princeton University Art Museum opens to the public next year, at almost double the size of its original building, six new large-scale works by women and artists of color will have pride of place — visible beacons near the building’s perimeter, both indoors and out at this central crossroads on campus. The artworks include four site-specific commissions by Diana Al-Hadid, Nick Cave, Jane Irish and Tuan Andrew Nguyen and two acquisitions by Jun Kaneko and Rose B. Simpson. “From every access point toward the museum, there will be works of public art so that people can almost use them as visual markers of arrival,” James Steward, its director, said.
Persons: Henry Moore, Louise Nevelson, Alexander Calder, Pablo Picasso, Diana Al, Hadid, Nick Cave, Jane Irish, Tuan Andrew Nguyen, Jun Kaneko, Rose B, Simpson, , ” James Steward Organizations: Princeton University, Princeton University Art Museum
Sara Zewde Sows, and Dia Beacon Reaps
  + stars: | 2024-03-05 | by ( Hilarie M. Sheets | ) www.nytimes.com   time to read: +1 min
When it is introduced this year, the new and varied terrain of Dia Beacon, with its sculptural landforms, meadowlands and pathways, may surprise and delight. Sara Zewde, the landscape architect who received the high-profile commission in 2021 to reimagine the museum’s eight back acres, says the goal wasn’t just dressing up Dia’s buildings with attractive plants. She sees her profession as a field “that has the skill set to take ecology, to take culture, to take people and tap into something bigger.”Her conviction that shaping land can illuminate, rather than merely beautify, places and their stories lies at the heart of Studio Zewde, the landscape and urban design firm she founded in Harlem in 2018. Since then she has taught at Harvard University and is writing a book about her profession’s founding father, Frederick Law Olmsted, linking his vision of urban parks as critical to the future of democracy with his earlier travels through the antebellum South as a journalist and abolitionist.
Persons: Dia Beacon, Sara Zewde, Frederick Law Olmsted Organizations: Harvard University Locations: Dia, Harlem
Even in the buffet of amenities that New York City private schools offer — state-of-the-art gyms and science labs, black box theaters and greenhouses, bespoke college guidance and dream teacher-to-student ratios — having a museum-caliber James Turrell Skyspace on your rooftop is in a class of its own. On the sixth floor of Friends Seminary, a Quaker school in Manhattan, Turrell, the internationally acclaimed artist who uses light to shape space, has created one of his perception-altering meeting rooms whose roof opens to the sky. Bathed in a spectrum of shifting radiant color, that slice of sky appears to float inside the installation, titled “Leading,” the only one of more than 85 Skyspaces by Turrell around the world attached to an active K-12 school. Sam Lane, a sophomore, was already a Turrell fan from family visits to the Massachusetts Museum of Contemporary Art, which has nine of the artist’s installations. “Some people were excited, some people were a little weirded out by it — like what does it means to have an art installation at our school this significant?”
Persons: James Turrell Skyspace, Sam Lane, ” Lane, Denman Tuzo, , , Lane Organizations: Friends Seminary, Quaker, Massachusetts Museum of Contemporary Art Locations: New York City, Manhattan, Turrell
Reframing the American Landscape
  + stars: | 2023-10-19 | by ( Hilarie M. Sheets | ) www.nytimes.com   time to read: +2 min
As a painter of the natural world for more than five decades, Kay WalkingStick says it is impossible not to be influenced by the 19th-century Hudson River School’s majestic depictions of the American landscape. “They were selling the American landscape as empty and of course it was not empty; it was populated,” said Ms. WalkingStick, who in her bold, pared-down painting style revisits similar vistas on which she overlays geometric patterns used by the Native tribe connected to that specific land. “I think of it as a reminder that we’re all living on Indian Territory.”The exhibition “Kay WalkingStick/Hudson River School” opens Friday at the New-York Historical Society. It is the 88-year-old Cherokee artist’s largest museum show so far in New York City, where she received her M.F.A. “I wanted to see our Hudson River School collection through Kay’s eyes and how her work helps us to reinterpret the history of landscape painting in North America,” said Wendy Nalani E. Ikemoto, the museum’s senior curator of American art and a Native Hawaiian.
Persons: Kay WalkingStick, Thomas Cole, Albert Bierstadt, Asher B, Durand, , , WalkingStick, “ Kay WalkingStick, WalkingStick’s, Cole, Bierstadt, Frederick A, John Frederick Kensett, Jesse Talbot, Wendy Nalani E Organizations: Fine Arts, Hudson River, York Historical Society, Cherokee, Pratt Institute Locations: Indian Territory, Hudson, New York City, North America
Imagine Spider-Woman With a Crochet Hook
  + stars: | 2023-06-22 | by ( Hilarie M. Sheets | ) www.nytimes.com   time to read: +1 min
“My favorite thing is crocheting 20 feet in the air,” the artist Sheila Pepe said at her studio in the Brooklyn Army Terminal. “Up high, in my overalls and my crochet hook in hand, on top of a drivable scissor lift, it’s the funniest gender joke in the world for me,” said the 63-year-old artist, who identifies as lesbian. Now you’re Uncle Joe!”For more than two decades, Pepe has used the craft of crochet, which she learned as a child from her mother, as a way to “draw” in three dimensions and infiltrate architecture. Using crochet in place of steel, Pepe has invited reconsideration of a humble craft done by generations of women and the painstaking labor that went into it. Her grandfather ran a shoe repair shop in Brooklyn, and her parents owned a deli in Morristown, N.J.
Persons: , Sheila Pepe, , Joe, Pepe Organizations: Brooklyn Army Locations: Brooklyn, Manhattan’s Madison, Italy, Morristown, N.J
Rising at the edge of Brooklyn’s Gowanus Canal — a rezoned superfund site with developers racing to build — the colossal industrial relic known locally as the Batcave has found its own Bruce Wayne. Consider it his gift to Gotham. On May 19, the nonprofit organization celebrates its grand opening, inviting a broad swath of the art world, city government and local residents to tour its state-of-the-art facilities designed by the Pritzker Prize-winning architecture firm Herzog & de Meuron in partnership with PBDW Architects. The conceptual artist Lorna Simpson, who’s collaborated with Powerhouse’s print shop, sees all kinds of opportunities for cross-pollination between media in the new building. “I really had ceramic envy walking through Powerhouse,” Simpson said, imagining that artists will have ideas that “can branch into something else that happens within the building because you can easily look at samples or have a conversation about technique.”
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